Michael Del Ray grips the skeleton’s ribs while Dakota Payne presses his mouth to his throat, their bodies locked tight around the prop’s bony frame. The horse skull between them rests on Payne’s chest as Del Ray’s tattooed arms coil around his waist, fingers digging into the leather straps of the prop. They stand shoulder to shoulder, one holding the skeleton’s arm like a shield, the other pressing closer with a kiss that lingers. The scene is all sharp edges and heavy weight, props and men moving as one.
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