Jalal Aldin leans against a patterned wall, his dark hair framing a clean-shaven face as he shifts from a black shirt to nothing at all. The head covering stays on through poses, one hand on his hip, another resting on a wooden crate, before he finally strips away everything else. His lean frame moves between sitting and standing, always with the same quiet intensity, the crate his only prop as he turns himself into the scene.
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