Michel D’Amours strips off his overalls, the hair on his chest and back catching the light as he stretches his arms behind his head, muscles flexing against the plain background. He leans against the wall, strap still loose, before sinking onto the bed, legs bent, arms outstretched, while the sheets stay crisp white beneath him. Every pose, from bent knees to hands on knees, shows the way his body moves, deliberate and unhurried, as he works through the act alone.
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