Blaine Matthews stretches across the couch, muscles taut under smooth skin, his dark hair framing a face pressed into the armrest as he arches his back. One hand grips the fabric while the other rests behind his head, legs bent or sprawled in poses that stretch him out like a display. The yellow couch frames every angle, hands behind his head, legs splayed, or arms stretched wide, each shot locking in the way his body bends to the light.
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