Noah Kelly leans against a wall holding a skateboard, his dark hair framing a lean, clean-shaven face before he strips off his Vintage Records tank top. The bed becomes his stage, legs spread wide, squatting with deliberate control, then sprawled back with hands behind his head as he works himself open. The floor takes over next, his body low and exposed, the only movement the slow, deliberate thrusts of his own hands.
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